Three records. Same rule running through all of them: the light always goes, and staying is the only part that's up to you.
The newest project: losing the light, refusing to let it go, then walking back to switch it on yourself. The most cinematic thing in the catalogue so far, and the closest the writing has come to saying the plain thing out loud.
Neon Fade · Stay · Afterglow
The record before the trilogy, and the turn that made it possible. This is where the sound started leaning cinematic and stopped apologising for it: more space in the mix, more weight in the low end, the vocal sitting further back and letting the room do some of the work.
Where the sound found its weather.
The first record under the COLETRON name, and the reason everything after it sounds the way it does: the groove, the basslines, the refusal to make anything that sounds like looking backwards. Rougher than what came later. Still the blueprint.
The blueprint. Everything since is built on it.
Music made for movement, for feeling, and for finding out what was, and what we'll be.
When the next thing is real, it goes out to the list first. That's the whole system.